More Pages: Sherman Page 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48


Sherman is an artist with words!
Great reading!
I thought it was and excellent historical western.

Great Book by a Great Author!
An exciting book of historical fiction
Peace Wins this War

A great read
The end?
I love elf books!

Grass Kingdom
It's better than GIANT, and another Texas great!
A fine dynastic saga of early TexasA reader cannot help but enjoy this book.


A must-read for theSherman tries his fin at being a rapper, the Loch Ness Monster makes a cameo at a stamp machine, Sherman learns where he is on the speed dial of love, Hawthorne gets antenna extensions (yes, we see this storyline later in the strip, but it's different and still funny here), and Fillmore makes another doomed attempt at finding his soulmate.
There are some differences between these strips and the later ones. Hawthorne has long eyestalks and almost invisible mouth, there's more emphasis on secondary fishie characters, and some even take place ("Calvin & Hobbes-like") in a classroom with a forbidding teacher. The artwork is a bit rougher, the humor a little more scattered. But these are the same weird, dumb, gag-infested sea creatures we know and love.
Back to the Strip's Origins
Early Sherman

My Divorce in Califonia
The right book for any situation
HIGHLY RECOMMENDED

A "painfully" objective guide to the bouldering trade
Sherman is a God!!
Witty and informative; A Bull's Eye

In Real Life
A Great Book About Women Photographers
Simple Introduction to Six Outstanding Women PhotographersThe book is organized around the concept that "cameras do copy which is front of the lens . . . [but these images are also] creations of the artist's intention and unconscious mind."
The essays are especially rewarding for their balance in explaining the artists' family lives, their relationships with the men in their lives, how they started into photography, their technique, and descriptions of their aesthetic values. Leslie Sills is pleasantly succinct:
Imogen Cunningham: "liked to examine life closely" and focused on "shapes, textures, patterns" in nature. She also captured the "essence" of people.
Dorothea Lange: The camera was an "activist tool" which "revealed the sufering of thousands and motivated others to help" during the Depression.
Lola Alvarez Bravo: Captured the real "Mexico after the Mexican Revolution" occurred there.
Carrie Mae Weems: Showed the "complexities of being human" especially in "squelching stereotypes" and "honoring African-American culture."
Elsa Dorfman: "Celebrates humanity" with her oversized camera that captures people to look more naturally like themselves than photographs normally do.
Cindy Sherman: Sees the camera as an "instrument to copy her constructed scenes" which are "puzzles that challenge her audience."
It has not been easy to be a woman photographer and these women succeeded because they persevered, as well as because they were so talented. Their stories are as inspiring as any I have read, and also tell an interesting tale of how your work can help you express your inner self.
Here are my favorite images from the book:
Imogen Cunningham:
Magnolia Blossom, 1925
My Father at 90, 1936
Morris Graves, Painter, 1950
Dorothea Lange:
Migrant Mother, Nipomo, California, 1936 (Series of 3)
There is a wonderful description of how this series was shot on a day when Ms. Lange was exhausted and had driven past the migrant labor camp in the rain before deciding intuitively to turn back and try her luck.
Lola Alvarez Bravo:
Por culpas ajenas, c. 1945
Elsueno de los pobres 2, 1943
The Two Fridas, c. 1944
Carrie Mae Weems:
Mom at Work, 1978-1984
Untitled (Letter Holder), 1988-89
Her work also included long interviews with her family.
Elsa Dorfman:
Robbie and the Dinosaur Femur, 1970
Terri Terralouge and Aileen Graham, 1989
Cindy Sherman:
Untitled #224, 1990
Given that these styles are so different and so vivid, I encourage you to use this book to inspire you to create some art. It doesn't have to be photography. Whether you like to sketch, sculpt, paint, or make colored soap bubbles, give yourself the chance to live freer and take a little time to express yourself. You'll feel so much better, and the rest of us will be enriched by your gift.
Express yourself . . . to find yourself!


Action-packed and thought-provokingDespite the dire situation spelled out in the first pages, the book's humor is what initially captured my attention. It had been a while since I laughed out loud reading a novel. I found it oddly reminiscent of Neil Simon. It is genuine humor, derived from the uniqueness of the individual character. Instead of jokes, which any character can recite, the funny stuff here comes from a misunderstanding of speech or action between the colorful cast of characters, or from a simple play on words. As someone who doesn't relate to most of what passes as comedy in the entertainment realm of today's culture, I enjoyed the natural, pure humor in Sherman's writing.
Sherman wrote the book in first person as well as third person, alternating by chapter and denoting with different fonts. I found this to be unique, and it helped the flow of the story while giving the reader an insight into Sherman's struggle as a writer. It is one of the book's strengths.
The general style of writing is fluid. Easy to read, yet very informative of the momentous challenges facing the world, as we try to balance the demands of commerce with the growing realization that our planet is fragile and its resources are far more precious than we have perceived.
Man's relationship to nature has been the subject of many books. What makes "It's the End of the World, and I Could Use a Drink" different is that it is told with an ecological urgency that is noteworthy. In Sherman's world, time is of the essence and the result not only gives the reader a significant reason to think a bit more about the environment and our sources of energy, but also provides a fun, action-packed reading experience that would translate easily to the big screen.
Eco parody at its best.
Undoubtedly the Book of the Year

A gem of a tale
Tragic yet illuminatingAn admirable work- not as depressing as 'Jimmy Corrigan' by any stretch, but still a charming, well-written, aptly-illustrated tale. I look forward to future volumes of his Berlin work.
Amazing